Ingrid Jonach Looking back, I wonder if I had an inkling that my life was about to go from ordinary to extraordinary.
When sixteen-year-old Lillie Hart meets the gorgeous and mysterious Tom Windsor-Smith for the first time, it’s like fireworks — for her, anyway. Tom looks as if he would be more interested in watching paint dry; as if he is bored by her and by her small Nebraskan town in general.
But as Lillie begins to break down the walls of his seemingly impenetrable exterior, she starts to suspect that he holds the answers to her reoccurring nightmares and to the impossible memories which keep bubbling to the surface of her mind — memories of the two of them, together and in love.
When she at last learns the truth about their connection, Lillie discovers that Tom has been hiding an earth-shattering secret; a secret that is bigger — and much more terrifying and beautiful — than the both of them. She also discovers that once you finally understand that the world is round, there is no way to make it flat again.
I can’t quite put my finger on what initially grabbed my attention with Ingrid’s novel but I think it may have been the title. The play on words about the world being flat and there being love whilst now the world is round and bigger and far more complicated seemed to promise a whole dimension of intricacies.
And indeed so it was, but not in the way I’d expected.
To be completely honest with you although Ingrid Jonach’s love story was lovely it was rather simple and straightforward in itself. That said I take nothing away from it. But what truly made me appreciate this book was the symbolism that was woven into it and the concept behind it.
In this story initially Tom and Lillie’s love is like the world Lillie thinks they live in. As the title implies to Lillie the world is (metaphorically speaking) flat. It’s uncomplicated and three dimensional, what you see is what you get and is beautiful in its simplicity. But Tom knows better, and this world is not flat, in fact it’s not even round. To use his words as he teases Lillie “the world is hexagonal” and it is about to challenge Lillie’s beliefs and herself as an individual.
Ingrid chose to narrate this story from Lillie’s point of view but written in retrospect. The Lillie who tells us the story is the one at the end of it and although she attempts to keep in mind the thoughts of the Lillie at the time of the story occasionally she does slip up, and admits that what she thought back then when the world was flat was very mistaken and blissfully naïve. The recounting of her story was done in an almost clinical manner, and although she says how she felt the feelings felt delivered in a distant manner. Although this style of writing felt detached to the present day characters and limited my ability to bond with them, it allowed to underline the symbolisms, themes and bigger meaning of the tale.
For me the true beauty of this book did not lie in the characters themselves or their story but the world around them and how it affected them and their love. The way Lillie always repeats key words three times like a mantra, almost as though she needs the reassurance that everything is true, almost as though she already knows that something in this reality is off kilter. The way in which she turns sounds into words because her reality is speaking to her and warning her. How a love that transcends time and life is beautifully simple, because love in itself as a concept is not complicated. It’s the people and the world around them that taint it and twist it. So when the world is flat everything is smooth and straightforward, like it’s surface. But when you make it round, give it three dimensions….. everything is possible, and love becomes complicated. Verdict: Reading this novel brought me back to my time at school in English literature where I learnt to appreciate the beauty and the intricacies of themes and subtleties left behind by the author to make us wonder and reflect. Reviewed by Pruedence